King Richard Iii and Looking for Richard Essay Plan

turn out PLAN Intro * Both Shakespe ars Richard III and Al Pacinos Looking for Richard both portray central values and ideas of the time. * The texts ideas are reflected by the context of the time. * Both texts written in different time periods nitty-gritty tout ensemble different contexts which shape the text. * Through Pacinos hybrid dash docudrama, he attempts to demystify Shakespeares Richard III, making it more accessible to the cursory mortal. Shakespeare shows the journey in Richard III of Richard himself on his dark quest to fitting king by both using his literary skills and performance to hear what he wants, ultimately universe power. * Both texts wasting disease propaganda but whereas Shakespeare all(prenominal)udes to the Tudor Myth which is ingratiating himself to his patrons. Whereas Pacino is being more provocative. He is contend the consent that the British literary existence has oer Shakespeare. * Both texts also use performance to connect ideas betwee n the two Para 1- Richard III * place setting War of the Roses now that his house has won the battle.He wants to be king Tudor Myth had to ingratiate to the Tudor house and uphold their reign. This too is 1 of Pacinos main challenges as he is expressing an egalitarian society where all bulk and their views are equal as he speaks to various people on the street. However Shakespeare had to ingratiate his monarch, the Tudor House and ensure Tudor patronage. * Throughout the entire shape, Shakespeare depicts Richard as a monstrous Machiavellian. Who Nicollo Machiavelli described in his book which was written in Shakespeares time is when a person may use craft or deceit in exhibition to maintain or compass power.Shakespeare presents Richard in this way as he was from the House York which is what the Tudors opposed when they first came to power. * Opening soliloquy See Richards authorized slip and his intentions in the convey. Recognises himself in the play, I am determined to sanction a villain. Metafiction shown. Richard chances that he needs to brace into power to make up for him being rudely stamped, and Cheated of feature by dissembling nature. * Shakespeare exaggerates and devalues Richard in this elbow room to perpetuate the Tudor myth whilst demonising Richard, which institutes the Tudor reign as whizz of providence and divine sanctioning.Para 2 looking for Richard * CHALLENGES Pacino isnt challenging the echt information and ideas expressed in Richard III. But rather he is challenging the British literary world, and their belief that they hold all the knowledge to Shakespeares plays. He does this incessantly throughout the entire film, showing photographs of British scholars where he has put them on the spot making them seem as if they move intot know anything. A great example of this is when he is interviewing Emrys Jones, a well-known Shakespeare academic and he is asked a question to which he responds, I dont really know the an swer. Straight away the photo is cut and immediately followed by a different scene of Pacino explaining on the nose what the British scholar couldnt. The constant use of cutting and framing different scene helps Pacino not only challenge the British literary world by giving them the message that he and numerous otherwise Americans which he interviewed on the streets hold knowledge about Shakespeare. But also, the fact that he can make it into a film as well proves that they are wrong that the actor holds the power to. You want to do it wiz your American accent? Shows jarring which stirs the audiences image that Pacino can wee-wee a successful version of the play. Pacino challenges not only this question, but the developed theory that Shakespeare put forward * REFLECTS I do believe even that in this aspect of Looking for Richard, Pacino challenges the ideas more. In one scene of the play Pacino and Kimball travel to England and visit the house which Shakespeare grew up in, in hope that they would achieve many sort of epiphany of knowledge about the plays. Linking back to the excite that the British believe they own the knowledge on Shakespeare.However they find that they did not feel any epiphany or difference at all, proving again that the British do not hold all the power and knowledge over Shakespeare and his plays and that actors exchangeable himself can possibly hold more knowledge that the academics and scholars. Para 3 Richard III performance * peeress Anne scene Richard turns from the monstrous Machiavellian typeface we see throughout most of the play, into a romantic wooer. He uses rhetorical language such as pathos to connect with her emotions which assists him in fundamentally capturing doll Anne.The fact that Richard had just killed her husband King Edward, with her still being with his coffin just makes Richard seem even more powerful as he still manages to pull Lady Anne into marrying him. Although in this scene Lady Anne proves to hold the knowledge of language too as there is constant stichomythia between the two characters through most of the scene but the furrow which best shows this is when Richard says Bid me kill myself. I will do it. And Lady Anne responds with I have already. Showing that she can be quite humorous too, but not enough for Richard. Pacino shows his power of being director by taking out a lot of the stichomythia between Richard and Lady Anne which removes some of her agency, that causing Richard to seem more powerful, convincing and in control. Para 4 Looking for Richard performance * CHALLENGES Penelope Allen shows the power of both the actor and manner acting. It challenges the fact that women had no dominant role in society, whereas in this scene of Looking for Richard, we see her using method acting to get into character in rehearsal and raise her voice over all the other men and women in the room when she says, If he were dead, what would betide on me? Pacino provides the p oint here that using performance to change into character, can allow women to be completely dominant over men in a new-made society. * REFLECTS Both Pacino and Shakespeares Richard both change character to essentially get what they want. Richard, wanting power to be king. Pacino wanting power over his film. Pacino, the sorcerer actor and also director of his own film, changes character various clock throughout the film.One of the key scenes depicting his want for power is when he is being the actor and discussing a few lines in the play with his assistant director, Kimball and Pacino decides to completely change the script. G of Edwards heirs the murderer shall be. Is what the line usually says. But Pacino changes it to, C of Edwards heirs the murderer shall be. This gives Pacino the power as he now has control over both the film and its script. He changes this as he believes it will be easier for people to understand and ultimately once again make the play more accessible for the audience.